“Hæstingas” | My New Book!

Haestingas book banner.png

Well folks, this is it.

The Lay of Leofwin project I briefly posted about over the last few months, has taken a life of its own and been transformed into a book. An actual, published book! Continue reading

I’m still here … re-reading Tolkien

The Silmarillion_2

It’s been over 3 months since my last post on this blog …

I feel as ashamed as an orc that has nothing evil to do, or an elf that has no singing to be done. Continue reading

Lay of Leofwin project #Update 2

bayeux

Alas! dear readers and followers of A Tolkienist’s Perspective. I feel a long apology is due to redress my absence during these last few months. However, a short note must suffice at this stage. Although I’ve been actively replying to comments that still flow through on a weekly basis on this blog (thank you!), one of the reasons for my inactivity was precisely this Lay of Leofwin project, which I delve into a bit more in this post.

Hence, read on dear reader, read on …

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It soon becomes apparent to readers delving into Tolkien’s writings, that the aforementioned author was fascinated by the Anglo-Saxon world that thrived in England between c.450AD and 1066 — the latter, an infamous year in history when the Battle of Hastings took place. Continue reading

Tolkien’s Poetry | Octosyllabic Couplets + New Project Announcement

 

Tapisserie de Bayeux - Scène 32 : des hommes observent la comète de Halley

The Lay of Aotrou and Itroun and The Lay of Leithian are, in my opinion, two masterly-crafted long, epic poems (even though the latter, alas, remains unfinished).

I am no poetry expert, having never managed to successfully appreciate many poems (especially those of the modern sort, with free verse and all that), but there was something in Tolkien’s own poetic writings which I found accessible, instant and attractive. And while Tolkien might not be considered one of the great poetry writers, his verses seem to embody a character of their own — steeped in history and language, harking back to the style and tone of the great classical works, The Odyssey, The Divine Comedy and, naturally, Beowulf. Continue reading