“The Shadows Where the Mewlips [really] dwell” – Mapping the road to Mordor?

The Mewlips.png

I’m chuffed by the eager response asking me to post the paper I presented at this year’s Oxonmoot. Well, here it is in full (with a few additional notes) for your enjoyment, if such be its fate. Continue reading

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Army numbers in Middle-earth

Last Alliance 2(C) New Line Cinema

 

When reading accounts of battles and warfare, numbers are important. They help provide context and scale to the conflict, allowing readers to assess the situation in terms of balance in favour or against an ally or enemy. Which is why I have often found it somewhat baffling that Tolkien gives us so little information on army numbers in his Middle-earth stories. Continue reading

Ioreth of Gondor

Ioreth

Making a brief appearance almost halfway into The Return of the King is the character of Ioreth; a woman from Lossarnach and one of the healers in the city of Minas Tirith. No matter the limited number of pages she is present in, she nevertheless maintains a memorable presence in the book. Continue reading

Gimli: Most reproached character in Middle-earth

Gimli.jpg© New Line Cinema

It’s a tough life in Middle-earth for Gimli the Dwarf…

This is something I’ve noticed whenever re-reading The Lord of the Rings. I find myself thinking that he is the most reproached individual out of all the characters. He often serves as the audience’s bridge to the story, speaking the reader’s mind when interacting with other characters. For that reason, he finds himself reprimanded, sometimes quite severely.

I really empathise with Gimli and his fruitless attempts to try and win an argument or a conversation. His statements and questions are constantly put down by the other characters he finds himself with. Continue reading

The Lord of the Rings: The Fellowship of the Ring Extended Edition – Review (Part III)

FOTR review header

It’s finally done! It took me over 2.5 years to complete this review of The Fellowship of the Ring. Well, I say “review” but in truth, it’s more of an analysis and an appreciation of the film.

Here’s hoping the next series of posts on The Two Towers and The Return of the King won’t take as long (yes, I said the same thing when I posted Part II of this review 7 months ago.)

If you haven’t done so yet, check out Part I and Part II.

Enjoy! Continue reading

The Lord of the Rings: The Fellowship of the Ring Extended Edition – Review (Part II)

FOTR review header

The reviewing continues …

Well, here it is. Almost two years later, here follows the continuation of the massive The Lord of the Rings review.

I’m ashamed to state it took me so long. But finally, here it is.

Mind you, this is only Part 2 of 3 of The Fellowship of the Ring, which I’m hoping won’t take as long to write. In the meantime, you’ve got much reading to do in this second part.

I hope you enjoy 🙂 … Continue reading

The Thorin vs Azog Duels: An Analysis

Thorin vs Azog (analysis)

Why AUJ’s scene works better than BOTFA’s

The comparisons are obvious and the decision to include an initial confrontation between Azog and Thorin at the end of An Unexpected Journey, cleverly foreshadows the eventual meeting at the end of film 3.

It is my intention to analyse the two scenes and work out why one works better than the other.

For the purposes of this analysis, I will be referring to the Thorin/Azog scene at the end of An Unexpected Journey as the “Pine Forest Confrontation”; whilst the scene in The Battle of the Five Armies will be referred to as the “Ravenhill Conflict”.

Time and time again, I have found that the Pine Forest Confrontation has been a constant tear-jerker since my very first viewing of the film. With the Ravenhill Conflict, the emotional resonance lies only AFTER the conflict has ended.

I do not want to go into much detail on the Ravenhill Conflict, as I’ve already said much in a previous post (The Problematic Climax of ‘The Battle of the Five Armies’).

What follows is a personal opinion and is not meant to generalise the overall feeling of any fans or viewers of the film. Continue reading