Following my last post on discovering the first “fragmented” poem I ever wrote about The Hobbit, some of you kindly requested I put my appalling poetry skills back into use and complete the poem I had started.
That is exactly what I have done.
I have long wished to see a full account of the War of the Last Alliance as written by Tolkien for the history of Middle-earth. Unfortunately, much of what we know is scattered into fragments over numerous books.
Following the success of The Tale of the Dagor Dagorth post, I have attempted to do the same thing. Looking for every passage, sentence, footnote and scrap of information referencing the Last Alliance, I have tried to construct a full account using Tolkien’s own writings. Continue reading
Here it is folks! The long-awaited review of the extended edition of The Battle of the Five Armies is here.
Don’t expect a long discussion for now; just a quick look at each extended scene.
A few mild spoilers follow, in case you haven’t yet seen it. Continue reading
I have been a Peter Jackson apologist for a number of years: attempting to understand and explain to others certain decisions done by the filmmaker when adapting the Middle-earth stories tothe silver screen.
Never being a narrow-minded “Jacksonphile”, I tried – as much as possible – to understand his reasonings; but not always found myself in full agreement with the outcome of specific choices. However, I always accepted Jackson’s own thoughts behind the alterations he employed.
However, after viewing The Battle of the Five Armies, I have come to the conclusion that Peter Jackson has probably done some shocking errors of judgement in its third act; something I will undoubtedly find extremely difficult to accept why he made the choices that eventually ended up on the screen.
I can most certainly understand why, but I don’t think I’ll be able to agree or sympathise with those decisions.
Even during the initial stages of production on The Hobbit, people worldwide were already speculating what other future projects pertaining to the world of Middle-earth may grace our screens.
The Silmarillion is a vast horde of riches sitting beneath the clutches of a fire-breathing dragon; a source of material barred from cinematic adaptation within the foreseeable future – and perhaps, a good thing too.
However, copyright issues aside, we must not forget the other stories contained within the appendices of The Lord of the Rings; stories that have been virtually untouched by Peter Jackson’s expansion of his Hobbit trilogy. Continue reading
Having just seen the last film for a third time, I think I am prepared to tackle the pleasurable, if arduous, task of writing an in-depth review.
I have roughly followed the soundtrack listing of each scene to keep a consistent and chronological structure to the writing.
Suffice to say, this is quite a lengthy review …
If you enjoyed The Battle of the Five Armies but, like me, were not fully satisfied due to certain omissions, the content of next year’s Extended Edition seems to be extremely promising; a definitive director’s cut to be shelved along with the other 5 equally-stupendous Middle-earth films.
During the World Premier in London, Peter Jackson already stated that there will be 30 minutes of new material.
The big plus of the final Hobbit film is its urgency. The big minus, is also its urgency.
It may sound contradicting, but that really is how I felt, after seeing the final installment of The Hobbit.
To those who thought that the previous two films dragged along in pacing, Peter Jackson seems to have responded with his most fervent Middle-earth film yet.
In just over two hours, Jackson pulls off the immense task of bringing the story’s major (and most complicated) sequences remarkably well.
… from whom Legolas has learnt to be so awesome.
In The Hobbit, Thranduil is the ruler of the elves of Mirkwood. His realm encompasses the northern part of the area, making his dwelling on the borders of that large forest; a vast underground network of elf-constructed caves – better known as the Elvenking’s Halls.
– The greedy ruler …
Like many of the non-principal characters in The Hobbit, the Master of Lake-town is not explored in much detail – nonetheless, he emphasizes a very important concept in the novel – greed.
The Master of Lake-town is quite simply … the Master of Lake-town (the clue is in the name). An individual who is both a good speaker and an excellent merchant. He rules over the inhabitants of Esgaroth and has a good “business relationship” with Thranduil – transporting goods in barrels along the Forest River between the two habitations.