LOTR: Théoden’s sword-swinging moments

Theoden sword swings.jpg

Cinematography is a special branch of filmmaking I hold very dear. The ability to convey a story visually, through the movement of a camera, the setting of a scene and the action of a character, is one of the most powerful tools of making a good film. Continue reading

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Beowulf: The Lost King of Rohan

Beowulf A Translation and Commentary (header)

An Anglo-Saxon Connection

The Anglo-Saxon epic has been acknowledged many times as one of the major sources of inspiration for J.R.R. Tolkien’s The Lord of the Rings. The world in the poem is easily comparable to Rohan and beyond. The character of Beowulf himself has been placed under scrutiny and analysed alongside other characters from Middle-earth, including Aragorn and Bard the Bowman.

The Geat hero, however, shares a close affinity with the majority of the kings of Rohan. Indeed, one could argue that many of the qualities and characteristics found in the House of Eorl can be attributed to Beowulf as an individual. The events that shape his life can be gleamed from the lives of Théoden’s ancestors.

For the purpose of this article, I will be using Tolkien’s recently published: Beowulf: A Translation and Commentary, in order to reference specific passages in relation to the character. I have also compared them with the text in The Lord of the Rings, with strong emphasis on ‘The House of Eorl’ in Appendix A. Continue reading